Ingress and offering

Ngozi “N/A” Oparah & J N Harrington in conversation

Images: Kat Bridge. Coworkers Ngozi Oparah & J N Harrington during Satelliser: a dance for the gallery at Turner Contemporary.


 

Ngozi “N/A” Oparah (she/her)

Ngozi is a queer, first-generation Nigerian-American writer, researcher, and artist. Her other work has appeared in Fictional International, Madwomen in the Attic, Five:2:One, ANMLY, A Velvet Giant (Best of the Net Nomination), Foglifter (where she is currently a prose editor), and other journals. N/A has received residencies in writing, art, and narrative media from Can Serrat in El Bruc, Spain and Proyecto Lingüistico Quetzalteco in Xela, Guatemala. N/A holds an MFA in Creative Writing from California College of the Arts and a B.S. in Neuroscience & Philosophy from Duke University. She is the Director of Community Programs at StoryCenter, a digital storytelling non-profit in Berkeley, CA where she teaches short form memoir and visual storytelling. She is currently studying towards a PhD in Creative Arts and Design that examines the roles of storytelling and fiction on mental health literacy. Her novella, Thick Skin, was published by KERNPUNKT Press and recognized by Lambda Literary and Big Other as one of April’s most anticipated books.

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Image: Christa Holka

J N Harrington (she/her)

J N Harrington is an artist whose work includes writing, dance & choreography, drawing, video, installation, costume and space design. She works mainly in gallery and non-stage spaces where her work prioritises explorations around access, play, agency, confrontation by times/scales beyond the human, neuroqueer experiences of information processing: mishearing, equational-images, listening, ways of tethering attention in movement... Her recent works include Screensaver Series (2018), storage for future sunsets (2021, Scottish Dance Theatre & V&A Dundee), good luck dinosaur (2020) , believe/ been video essay (2020), UNFRIENDING (2021), never closer to midnight (2019) and leading the Satelliser project.

Harrington’s educational background is in visual arts, psychology and dance. As a performer she has worked within museum and gallery contexts across Europe. She is a board member of Chisenhale Dance Space in London and was involved with Engagement Arts Belgium 2017/18. She works to support other artists with access through grant-writing, and mentors around neurodiversity in dance.

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Stroking a cat backwards